The first line of every stanza follows suit, with the exception of the line, “This is the end of the whaleroad and the whale,” which adds an extra syllable but still retains iambs. This is another example of personification. The speaker suggests that the waves in the wind are only tools of a higher power used to beat down and control human beings. There in the valley, men are butchering the corpse of a whale. The poet also brings in images of a graveyard that acts as a memorial site for many of the men who died at sea. The poet uses the phrase “this is the end“ for the third time in line eighty-five of this poem. There, in the nowhere, where their boats were tossed. This is foiled by the last lines, where the creation of man leads to “blue-lung’d combers [lumbering] to the kill.” “Combers” is a word for a certain kind of wave, which makes sense in this context, but the way they move to kill is reminiscent of how the sailors kill the whale in Section V. This ambiguity gives this last stanza a double meaning. For example, the numerous quotations that come in full or part from the Bible. The speaker describes the sounds of guns firing in a salute on a ship. The speaker continues referencing Moby-Dick, this time mentioning the Pequod, the whaling ship from that novel. The verses conform to the rhyme scheme of aabbccdd, alternating end sounds from stanza to stanzas as Lowell saw fit. Lowell likens them to the corruption that “overruns this world.” The speaker asks the sailor if his sword will “whistle and fall and sink into the fat,” and then watches and describes the whale being cut to pieces. Every single person that visits PoemAnalysis.com has helped contribute, so thank you for your support. The winds are described as having “breath“ another likely reference to mythological figures and their control over the elements. It is through advertising that we are able to contribute to charity. The sailors are described as “childish”. The Quaker Graveyard in Nantucket is an influential poem by Robert Lowell. Lowell also includes an epigraph from Genesis in the Bible, in … “The Quaker Graveyard in Nantucket” is one of the noisiest poems in the English language. What about Lowell’s cousin? He thinks, that the sailor who is now resting at the bottom of the sea, can here this specific ship. To Cape Cod Summary of The Quaker Graveyard in Nantucket ‘The Quaker Graveyard in Nantucket’ by Robert Lowell is a very complex and allusion -heavy poem that describes the sea, divine force, and corruption. Most interments were identified by field-stones. Time is personified in these lines as well. Will created Poem Analysis back in 2015 and has a team of the best poetry experts helping him analyse poems from the past and present. One interesting part of this section is the part where Lowell refers to the whale by the name “IS.” Critics like Hugh Staples, who wrote the book Robert Lowell: The First Twenty Years in 1962, tend to agree that this was Lowell’s way of assigning Christ’s identity to the whale: a reference both to the Latin name for Jesus (Iesus Salvator, Jesus the Savior) and perhaps to Exodus 3:14, where God reveals his name to Moses as "I AM." The “guns of the steel fleet“ repeatedly fire into the sky until they become “hoarse“. As a result, humans messing things up (and having to pay for it) is the central theme in "The Quaker Graveyard in Nantucket," and the poem also serves as a warning: if we take poor care of the earth, including its creatures, we face God's retribution… and it ain't pretty. There is also a statue of a lady described in the section. This is something that they’re going to have to stand judgment for. III All you recovered from Poseidon died With you, my cousin, and the harrowed brine Is fruitless on the blue beard of the god, Stretching beyond us to the castles in Spain, Nantucket's westward haven. This is the first reference to the fact that the sea and mankind have a kinship that should not be denied. “The Quaker Graveyard in Nantucket” uses the occasion of a relative’s untimely death to cobble together a poem asserting that humanity’s decimation of nature and humankind’s self-destruction in war are affronts to a ever-present Judeo-Christian God, who may forgive, but cannot forget. Heaves at the roped-in bulwarks of this pier, The terns … Another important technique commonly used in poetry is enjambment. The lines vary in length and use different rhyme schemes in their sections and stanzas. They are made glad by this “castle of God“. For example, the transition between lines one and two of part two. 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